Ben Webster
Ben Webster was considered one of the "big three" of swing tenors along with Coleman Hawkins (his main influence) and Lester Young. He had a tough, raspy tone on stomps (with his own distinctive growls), yet on ballads he would play with warmth and sentiment. After violin lessons as a child, Webster learned how to play rudimentary piano (his neighbor Pete Johnson taught him to play blues). But after Budd Johnson showed him some basics on the saxophone, Webster played sax in the Young Family Band (which at the time included Lester Young). He had stints with Jap Allen and Blanche Calloway (making his recording debut with the latter) before joining Bennie Moten's Orchestra in time to be one of the stars on a classic session in 1932. Webster spent time with quite a few orchestras in the 1930s, including Andy Kirk, Fletcher Henderson in 1934, Benny Carter, Willie Bryant, Cab Calloway, and the short-lived Teddy Wilson big band. In 1940 (after short stints in 1935 and 1936), Ben Webster became Duke Ellington's first major tenor soloist. During the next three years he was on many famous recordings, including "Cotton Tail" -- which in addition to his memorable solo had a saxophone ensemble arranged by Webster -- and "All Too Soon." After leaving Ellington in 1943 (he would return for a time in 1948 and 1949), Webster worked on 52nd Street; recorded frequently as both a leader and a sideman; had short periods with Raymond Scott, John Kirby, and Sid Catlett; and toured with Jazz at the Philharmonic during several seasons in the 1950s. Although his style was falling out of fashion by that decade, Webster's work on ballads became quite popular, and Norman Granz recorded him on many memorable sessions. Webster recorded a classic set with Art Tatum and generally worked steadily, but in 1964 he moved permanently to Copenhagen where he played when he pleased during his last decade. His distinctive tone was a later influence on such diverse players as Archie Shepp, Lew Tabackin, Scott Hamilton, and Bennie Wallace.
© Scott Yanow /TiVo
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Discography
533 album(s) • Sorted by Bestseller
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Audiophile Analog Collection Vol.3
Classical - Released by 2xHD on 5 Jan 2024
Available in24-Bit/352.8 kHz Stereo -
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Ben Webster Meets Oscar Peterson
Jazz - Released by Verve Reissues on 1 Jan 2014
The Qobuz Essential DiscographyAvailable in24-Bit/96 kHz Stereo -
Ben Webster Meets Oscar Peterson
Bebop - Released by Music Manager on 1 Jan 2014
Available in24-Bit/48 kHz Stereo -
Ben Webster Meets Oscar Peterson
Jazz - Released by Verve Reissues on 1 Jan 2014
The Qobuz Essential DiscographyAvailable in24-Bit/192 kHz Stereo -
Ben Webster Meets Oscar Peterson
Jazz - Released by DECCO Recordings on 1 Jan 2014
Available in16-Bit/44.1 kHz Stereo -
Ben Webster Meets Oscar Peterson
Jazz - Released by Verve on 1 Jan 2014
The Qobuz Essential DiscographyAvailable in16-Bit/44.1 kHz Stereo -
Ben Webster Meets Oscar Peterson
Miscellaneous - Released by Vinyle Numérique on 1 Jan 2014
Available in16-Bit/44.1 kHz Stereo -
Coleman Hawkins Encounters Ben Webster
Jazz - Released by Verve Reissues on 4 Jul 2000
Available in24-Bit/192 kHz Stereo -
Coleman Hawkins Encounters Ben Webster
Jazz - Released by Verve Reissues on 4 Jul 2000
Available in24-Bit/96 kHz Stereo -
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Ben Webster And Associates (2025 Remaster)
Jazz - Released by Verve Reissues on 1 Nov 1959
Available in24-Bit/96 kHz Stereo -
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Ben Webster And Associates (2025 Remaster)
Jazz - Released by Verve Reissues on 1 Nov 1959
Available in16-Bit/44.1 kHz Stereo -
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King Of The Tenors
Jazz - Released by Verve Reissues on 6 Jul 2000
Available in24-Bit/96 kHz Stereo -
At The Renaissance (Live At The Renaissance / 1960 / Remastered 2024)
Jazz - Released by Craft Recordings on 1 Oct 1960
Available in24-Bit/192 kHz Stereo -
25 Essentials of Ben Webster
Jazz - Released by BNF Collection on 30 Sept 2014
Available in24-Bit/96 kHz Stereo -
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