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What does a shrug sound like? On "Don't Know Why,” the opening track of her debut effort, Norah Jones suggests a few possibilities. The first time she sings the title phrase, she gives it a touch of indifference, the classic tossed-off movie-star shrug. Her tone shifts slightly when she hits the chorus, to convey twinges of sadness; here the casual phrasing could be an attempt to shake off a sharp memory. Later, she shrugs in a way that conveys resignation, possibly regret—she's replaying a scene, trying to understand what happened.
Those shrugs and shadings, tools deployed by every jazz vocalist of the 1950s, are inescapable throughout Come Away With Me—in part because everything surrounding Jones' voice is so chill. There's room for her to emote, and room for gently cresting piano and organ chords. Unlike so many of her contemporaries, Jones knows instinctively how much (or how little!) singer the song needs. The secret of this record, which came out when Jones was 22, is its almost defiant approachability: It is calm, and open, and gentle, music for a lazy afternoon in a porch swing. As transfixing covers of Hank Williams' "Cold Cold Heart” and Hoagy Carmichael's "The Nearness of You” make clear, Jones thinks about contours and shadows when she sings; her storytelling depends as much on the scene and the atmosphere as the narrative.
And Jones applies the same understatement to the original songs here, which weave together elements of country, pop, jazz and torch balladry in inventive ways. It's one thing to render an old tune with modern cleverness, a skill Jones had honed as a solo pianist/singer before she was discovered. It's quite another to transform an original tune, like Jesse Harris' "Don't Know Why,” into something that sounds ageless and eternal, like a standard. Jones does that, over and over, using just shrugs and implications, rarely raising her voice much above a whisper. © Tom Moon/Qobuz
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Arif Mardin, Producer - Ted Jensen, MasteringEngineer - Jay Newland, Producer, Remixer - Jesse Harris, ComposerLyricist, AcousticGuitar - Norah Jones, Producer, Piano, Vocalist, MainArtist - Mark Birkey, RecordingSecondEngineer - Dan Rieser, DrumKit - Lee Alexander, BassVocalist - Mark Wilder, MasteringEngineer - Dave Swope, MixingSecondEngineer
℗ 2000 Blue Note Records
Ted Jensen, MasteringEngineer - Jay Newland, Producer, Remixer, MixingEngineer - Norah Jones, Producer, Vocalist, MainArtist - Lee Alexander, ComposerLyricist, BassVocalist - Kevin Breit, AcousticGuitar - Craig Street, Producer - Mark Wilder, MasteringEngineer - Brandon Mason, RecordingSecondEngineer - Todd Parker, MixingSecondEngineer - Brian Blade, DrumKit - Husky Huskolds, Engineer - Dave Swope, MixingSecondEngineer
℗ 2001 Blue Note Records
Arif Mardin, Producer - Hank Williams, Composer - Ted Jensen, MasteringEngineer - Jay Newland, Engineer, Remixer - Norah Jones, Piano, Vocalist, MainArtist - Lee Alexander, BassVocalist - Adam Levy, ElectricGuitar - Mark Wilder, MasteringEngineer - Dick Kondas, RecordingSecondEngineer - Dave Swope, MixingSecondEngineer
℗ 2001 Blue Note Records
Ted Jensen, MasteringEngineer - Jay Newland, Producer, Remixer, MixingEngineer - Norah Jones, Producer, Piano, Vocalist, MainArtist - Lee Alexander, ComposerLyricist, BassVocalist - Kevin Breit, AcousticGuitar, ElectricGuitar - Craig Street, Producer - Mark Wilder, MasteringEngineer - Brandon Mason, RecordingSecondEngineer - Todd Parker, MixingSecondEngineer - Brian Blade, DrumKit - Husky Huskolds, Engineer - Dave Swope, MixingSecondEngineer
℗ 2001 Blue Note Records
Arif Mardin, Producer, MixingEngineer - Ted Jensen, MasteringEngineer - Jay Newland, Engineer, Remixer, MixingEngineer - Jesse Harris, AcousticGuitar - Norah Jones, Piano, Vocalist, MainArtist, ComposerLyricist - Dan Rieser, DrumKit - Lee Alexander, BassVocalist - Adam Levy, ElectricGuitar - Mark Wilder, MasteringEngineer - Dick Kondas, RecordingSecondEngineer - Dave Swope, MixingSecondEngineer
℗ 2001 Blue Note Records
Arif Mardin, Producer, MixingEngineer - Ted Jensen, MasteringEngineer - Jay Newland, Engineer, Remixer, MixingEngineer - Jesse Harris, ComposerLyricist, AcousticGuitar - Norah Jones, Piano, Vocalist, MainArtist - Lee Alexander, BassVocalist - Adam Levy, ElectricGuitar - Mark Wilder, MasteringEngineer - Dick Kondas, RecordingSecondEngineer - Brian Blade, DrumKit - Sam Yahel, HammondB3 - Dave Swope, MixingSecondEngineer
℗ 2001 Blue Note Records
John D. Loudermilk, Composer - Arif Mardin, Producer - Ted Jensen, MasteringEngineer - Jay Newland, Producer, Remixer - Adam Rogers, Guitar - Norah Jones, Producer, Piano, Vocalist, MainArtist - Mark Birkey, RecordingSecondEngineer - Dan Rieser, DrumKit - Lee Alexander, BassVocalist - Mark Wilder, MasteringEngineer - Sam Yahel, HammondB3 - Dave Swope, MixingSecondEngineer
℗ 2000 Blue Note Records
Arif Mardin, Producer, MixingEngineer - Ted Jensen, MasteringEngineer - Jay Newland, Engineer, Remixer, MixingEngineer - Norah Jones, Vocalist, MainArtist - Lee Alexander, ComposerLyricist, BassVocalist - Rob Burger, Organ - Adam Levy, AcousticGuitar - Mark Wilder, MasteringEngineer - Dick Kondas, RecordingSecondEngineer - Brian Blade, DrumKit - Tony Scherr, Guitar, AcousticGuitar - Dave Swope, MixingSecondEngineer
℗ 2001 Blue Note Records
Arif Mardin, Producer, MixingEngineer - Ted Jensen, MasteringEngineer - Jay Newland, Engineer, Remixer, MixingEngineer - Jesse Harris, ComposerLyricist, AcousticGuitar - Norah Jones, Piano, Vocalist, MainArtist - Lee Alexander, BassVocalist - Adam Levy, ElectricGuitar - Mark Wilder, MasteringEngineer - Dick Kondas, RecordingSecondEngineer - Brian Blade, Percussion, DrumKit - Jenny Scheinman, Violin - Dave Swope, MixingSecondEngineer
℗ 2001 Blue Note Records
Arif Mardin, Producer, MixingEngineer - Ted Jensen, MasteringEngineer - Jay Newland, Engineer, Remixer, MixingEngineer - Norah Jones, Piano, Vocalist, MainArtist - Lee Alexander, ComposerLyricist, BassVocalist - Rob Burger, Accordion - Adam Levy, AcousticGuitar - Mark Wilder, MasteringEngineer - Dick Kondas, RecordingSecondEngineer - Brian Blade, DrumKit - J.C. Hopkins, ComposerLyricist - Dave Swope, MixingSecondEngineer
℗ 2001 Blue Note Records
Arif Mardin, Producer, MixingEngineer, StringArranger - Ted Jensen, MasteringEngineer - Jay Newland, Engineer, Remixer, MixingEngineer - Jesse Harris, ComposerLyricist, AcousticGuitar - Norah Jones, Piano, Vocalist, MainArtist - Dan Rieser, DrumKit - Lee Alexander, BassVocalist - Adam Levy, ElectricGuitar - Mark Wilder, MasteringEngineer - Dick Kondas, RecordingSecondEngineer - Sam Yahel, HammondB3 - Jenny Scheinman, Violin - Dave Swope, MixingSecondEngineer
℗ 2001 Blue Note Records
Arif Mardin, Producer, MixingEngineer - Ted Jensen, MasteringEngineer - Jay Newland, Engineer, Remixer, MixingEngineer - Jesse Harris, AcousticGuitar - Norah Jones, Piano, Vocalist, MainArtist, ComposerLyricist - Lee Alexander, BassVocalist - Adam Levy, ElectricGuitar - Mark Wilder, MasteringEngineer - Dick Kondas, RecordingSecondEngineer - Brian Blade, DrumKit - Dave Swope, MixingSecondEngineer
℗ 2001 Blue Note Records
Ted Jensen, MasteringEngineer - Jay Newland, Producer, Remixer, MixingEngineer - Jesse Harris, Composer, AcousticGuitar - Norah Jones, Composer, Producer, Piano, Vocalist, MainArtist - Lee Alexander, BassVocalist - Kevin Breit, ElectricGuitar - Craig Street, Producer - Mark Wilder, MasteringEngineer - Brandon Mason, RecordingSecondEngineer - Todd Parker, MixingSecondEngineer - Bill Frisell, ElectricGuitar - Kenny Wollensen, DrumKit - Husky Huskolds, Engineer - Dave Swope, MixingSecondEngineer
℗ 2001 Blue Note Records
Arif Mardin, Producer, MixingEngineer - Ned Washington, Composer - HOAGY CARMICHAEL, Composer - Ted Jensen, MasteringEngineer - Jay Newland, Engineer, Remixer, MixingEngineer - Norah Jones, Producer, Piano, Vocalist, MainArtist - Mark Wilder, MasteringEngineer - Dick Kondas, RecordingSecondEngineer - Dave Swope, MixingSecondEngineer
℗ 2001 Blue Note Records
Review: Norah Jones - Come Away With Me (5.1 Remix)
What does a shrug sound like? On "Don't Know Why,” the opening track of her debut effort, Norah Jones suggests a few possibilities. The first time she sings the title phrase, she gives it a touch of indifference, the classic tossed-off movie-star shrug. Her tone shifts slightly when she hits the chorus, to convey twinges of sadness; here the casual phrasing could be an attempt to shake off a sharp memory. Later, she shrugs in a way that conveys resignation, possibly regret—she's replaying a scene, trying to understand what happened.
Those shrugs and shadings, tools deployed by every jazz vocalist of the 1950s, are inescapable throughout Come Away With Me—in part because everything surrounding Jones' voice is so chill. There's room for her to emote, and room for gently cresting piano and organ chords. Unlike so many of her contemporaries, Jones knows instinctively how much (or how little!) singer the song needs. The secret of this record, which came out when Jones was 22, is its almost defiant approachability: It is calm, and open, and gentle, music for a lazy afternoon in a porch swing. As transfixing covers of Hank Williams' "Cold Cold Heart” and Hoagy Carmichael's "The Nearness of You” make clear, Jones thinks about contours and shadows when she sings; her storytelling depends as much on the scene and the atmosphere as the narrative.
And Jones applies the same understatement to the original songs here, which weave together elements of country, pop, jazz and torch balladry in inventive ways. It's one thing to render an old tune with modern cleverness, a skill Jones had honed as a solo pianist/singer before she was discovered. It's quite another to transform an original tune, like Jesse Harris' "Don't Know Why,” into something that sounds ageless and eternal, like a standard. Jones does that, over and over, using just shrugs and implications, rarely raising her voice much above a whisper. © Tom Moon/Qobuz
About the album
- 1 disc(s) - 14 track(s)
- Total length: 00:45:07
- Main artists: Norah Jones
- Composer: Various Composers
- Label: Blue Note Records
- Genre: Pop/Rock Pop
© 2002 Blue Note Records ℗ 2013 Blue Note Records
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