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Nina Simone|Broadway - Blues - Ballads

Broadway - Blues - Ballads by Nina Simone

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There's a lot more Broadway and a lot more ballads than blues on this, which ranks as one of Simone's weaker mid-'60s albums. Almost half the record features Broadway tunes on the order of Cole Porter and Rodgers & Hammerstein; most of the rest was composed by Bennie Benjamin, author of her first-rate "Don't Let Me Be Misunderstood," which the Animals covered for a hit shortly afterwards (and which leads off this record). The other Benjamin tunes are modified uptown soul with string arrangements and backup vocals in the vein of "Don't Let Me Be Misunderstood," but aren't in the same league, although "How Can I?" is an engaging cha-cha. Besides "Don't Let Me Be Misunderstood," the album is most notable for the great "SeeLine Woman," a percolating call-and-response number that ranks as one of her best tracks.

© Richie Unterberger /TiVo

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Broadway - Blues - Ballads

Nina Simone

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1
Don't Let Me Be Misunderstood
00:02:45

Gloria Caldwell, ComposerLyricist - Horace Ott, Conductor, RecordingArranger - Nina Simone, Vocalist, MainArtist - Hal Mooney, Producer - BENNIE BENJAMIN, ComposerLyricist - Sol Marcus, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

2
Night Song
00:03:05

CHARLES STROUSE, ComposerLyricist - LEE ADAMS, ComposerLyricist - Nina Simone, MainArtist - Hal Mooney, Producer, RecordingArranger

℗ 1964 UMG Recordings, Inc.

3
The Laziest Gal In Town
00:02:18

Cole Porter, ComposerLyricist - Nina Simone, MainArtist - Hal Mooney, Producer, RecordingArranger

℗ 1964 UMG Recordings, Inc.

4
Something Wonderful
00:02:43

Richard Rodgers, Composer - Oscar Hammerstein II , Lyricist - Nina Simone, MainArtist - Hal Mooney, Producer, RecordingArranger

℗ 1964 UMG Recordings, Inc.

5
Don't Take All Night
00:02:51

Horace Ott, RecordingArranger - Nina Simone, MainArtist - Hal Mooney, Producer - BENNIE BENJAMIN, ComposerLyricist - Sol Marcus, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

6
Nobody
00:04:18

Nina Simone, MainArtist - Hal Mooney, Producer, RecordingArranger - Bert A. Williams, ComposerLyricist - Alex Rogers, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

7
I Am Blessed
00:02:56

Horace Ott, Conductor, RecordingArranger - Nina Simone, MainArtist - Hal Mooney, Producer - BENNIE BENJAMIN, ComposerLyricist - Sol Marcus, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

8
Of This I'm Sure
00:02:34

Horace Ott, RecordingArranger - Nina Simone, MainArtist - Hal Mooney, Producer - BENNIE BENJAMIN, ComposerLyricist - Sol Marcus, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

9
See-Line Woman
00:02:37

Nina Simone, Vocalist, MainArtist, ComposerLyricist, RecordingArranger - Hal Mooney, Producer - Rudy Stevenson, Flute, Guitar - George H. Bass, ComposerLyricist - Bobby Hamilton, DrumKit - Lisle Atkinson, Percussion, UprightBass

℗ 1964 UMG Recordings, Inc.

10
Our Love (Will See Us Through)
00:02:59

Horace Ott, RecordingArranger - Nina Simone, MainArtist - Hal Mooney, Producer - BENNIE BENJAMIN, ComposerLyricist - Sol Marcus, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

11
How Can I?
00:02:03

Horace Ott, RecordingArranger - Nina Simone, MainArtist - Hal Mooney, Producer - BENNIE BENJAMIN, ComposerLyricist - Sol Marcus, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

12
The Last Rose Of Summer
00:03:07

Thomas Moore, ComposerLyricist - Nina Simone, Adapter, MainArtist - Hal Mooney, Producer, WorkArranger, RecordingArranger - Richard Milliken, WorkArranger

℗ 1964 UMG Recordings, Inc.

13
A Monster
00:02:43

Horace Ott, RecordingArranger - Nina Simone, MainArtist - Hal Mooney, Producer - BENNIE BENJAMIN, ComposerLyricist - Sol Marcus, ComposerLyricist

℗ 1964 UMG Recordings, Inc.

Review: Nina Simone - Broadway - Blues - Ballads

There's a lot more Broadway and a lot more ballads than blues on this, which ranks as one of Simone's weaker mid-'60s albums. Almost half the record features Broadway tunes on the order of Cole Porter and Rodgers & Hammerstein; most of the rest was composed by Bennie Benjamin, author of her first-rate "Don't Let Me Be Misunderstood," which the Animals covered for a hit shortly afterwards (and which leads off this record). The other Benjamin tunes are modified uptown soul with string arrangements and backup vocals in the vein of "Don't Let Me Be Misunderstood," but aren't in the same league, although "How Can I?" is an engaging cha-cha. Besides "Don't Let Me Be Misunderstood," the album is most notable for the great "SeeLine Woman," a percolating call-and-response number that ranks as one of her best tracks.

© Richie Unterberger /TiVo

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